Mogg/Way were formed to continue as UFO but Michael Schenker wouldn’t let them use the name. So this is essentially a UFO album, the second under the Mogg/Way moniker. Guitarist George Bellas was on the first. Jeff Kollman fills in here. Phil Mogg was always able to find kick ass unknown (or rising star) axemen. Kollman sounds a lot like Schenker although I don’t think he used a Flying V. (He's so good that I'm checking out some of his other work with Glenn Hughes, Marty Friedman, Chad Smith and Billy Sheehan among others.) Kollman understands the searing, soaring solos of Schenker and puts his own stamp on that style. It fits perfectly with Mogg's songs. Simon Wright, fresh from AC/DC does a fine job in the drummer’s seat. This is a very strong album, much better than some of the latter UFO releases. Mogg’s lyrics are better than ever. There’s always a sense of menace behind them and he wrings them out on songs like “Jerusalem” and “Too Close in the Sun.” I had overlooked this for a long time. I got it when it was first released because of my completist tendencies. I was also in the midst of heavy prog listening and so this flew under my radar. After many recent explorations, I’ve got to say this is just as strong as Schenker era UFO. An unpopular view perhaps, but that’s the way my ears hear it.